3/13/2023 0 Comments Musescore 2 midi input![]() I didn't read personal insults into a reply. I don't know how to quote or get italics working here so. But then in addition you get the benefit (and so do the contributors) of the hive mind of users comparing use cases, possible pitfalls and/or voicing support for proposals. This is how you bring your suggestions to the coders and contributors. Feel free to write out your "few minutes" of thinking this through to see how you'd evaluate the/those different possible use cases.ĮDIT: RE " It's a shame there doesn't seem be a way to bring suggestions directly to those who are contributing coders." Or still use the current split command to fix things afterwards.īut that's just my view as one of the occasional contributors. It also means I'd have to go there for every piece that uses a different split point. At this point, I'm less convinced about that tradeoff.īecause instead of getting a fairly short sequence of commands to split a staff (currently via the context menu) it'd now likely mean having to navigate through the gazillion settings to find that one (or two) setting(s) to en-/disable the feature and provide the split point. My immediate response then is to wonder how much added value such a setting would generate you? And how it balances out compared to maintaining a special setting for it (and special casing note input for it). It'd give you what you wanted and other can just turn the setting off. So what if we'd then make it optional? A setting somewhere to affect grand staff note input (or perhaps even just grand staff piano?) with a configurable split point. It wouldn't be perfect, but it'd make a lot more sense than having every note appear in the stave you select."Įxcept thus that fixing a wrong placed note due to this setting is more involved and harder than using the split point after the fact. " For example, an option that puts chords with their lowest note lower than middle c in the bass stave, or visa-versa. Moving notes between staves after the fact means cut and pasting them. The follow-up question then becomes, for most of those other scenarios what is the effort/cost of fixing the input which might now be broken due to the split point. My gut feeling says that in most cases that indeed will be so. The counter question then would be whether it would be counter-productive for those other scenarios: Cross staffed Piano music, multi voices piano music, other grand staff music (marimba, accordion, harp, organ.). So let's walk through the Pro's and Con's of your suggestion.Īs you mentioned, it could make sense for a certain percentage of Piano music to use a split point during chord MIDI entry. Pointing out a way things currently are (and how the end result you're looking for can be achieved using those ways) is not the same as defending them. I (dis)like how you read personal insults in a mostly factual reply.
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